Tuesday, March 22, 2016
Monday, March 21, 2016
Late last year I finally discovered the root of my issues: it's the antique book press itself. I know of only one other woodcut printmaker who uses one, and for good reason: the torque is not enough to allow a good smooth laydown of in. This, in addition to troubles with the wood I was using and even some ink problems, had me on the verge of leaving printmaking altogether.
Over the last year, I have studied other printmakers very closely. When you are self-taught and working alone, you need to be a good detective. You also need to be resilient. It's okay to give up, just as long as you start again as soon as possible. That's my MO: quit...for a minute.
So this week, I cracked the code. I'll get into it more in-depth later, but I have found the missing piece of the puzzle that allows me to use my press and still make prints with excellent coverage and true color saturation I demand. Here's a terrible photo of the print in mid-work. There are three colors left, and I'll be back then to give you more details, and I'll tell you how you can get a print for free!