With the addition of black, this print is complete. I would say that I have enjoyed this print more than about any since my very first prints 14 years ago.
As I mentioned in an earlier post, the intention was to set this print in New Mexico. I have been through several times, and love it. However, don't go looking for this place out west - the model I used for the gas station is actually an old service station onbBuffalo's East Side. The tree is also an invention, a small homage to Gustave Baumann, the great printmaker. The blue Chevy is a tribute to my dad. The camper color is a nod to my wife.
I have done two other little camper prints, and I plan many more.
As per usual, I can only see the things I would change, little mistakes here and there. That's how I learn. But overall, it's exactly what I had pictured, and I am thrilled with the result.
Going to take some time to plan the next print, so please stay tuned!
Napping Cat Press: Original Hand-Printed Woodcut Prints by Jeffrey Dean
Showing posts with label new Mexico. Show all posts
Showing posts with label new Mexico. Show all posts
Thursday, September 1, 2016
Pretty As A Picture
Labels:
art,
buffalo,
camper,
ink,
kitties,
new Mexico,
NY,
pizza,
printmaking,
woodcut
Monday, August 29, 2016
Life On Mars
Like my woodcut hero Gustave Baumann, I am drawn the beauty of New Mexico. This print is the first in what I hope will be a series of works featuring vintage campers in all 50 states.
As alluring as the weather worn buildings, craggy rocks and red soil can be, there needs to be a little life in the picture. This dark green sets the base for the brighter green to come.
The ink layers (now at ten) are finally giving me resistance, which I expected, though at this stage the rough coverage is working in favor of the image.
As alluring as the weather worn buildings, craggy rocks and red soil can be, there needs to be a little life in the picture. This dark green sets the base for the brighter green to come.
The ink layers (now at ten) are finally giving me resistance, which I expected, though at this stage the rough coverage is working in favor of the image.
Saturday, August 27, 2016
Rusty
Here are two of the last five colors. The colors are very important to the finished print.
This color, a dark rust red, was designed to be the rust on the camper, car and tire wheel, as well as the roof tiles, camper tail lights and part of the tree. If you look back at past prints, you know that I dread printing bold colors in the middle of the process. But these new inks allow me to overprint with ease, even with lighter colors.
Though the soil is red, this red was a little ftoo bold. The scene, which I will get into deeper when I'm done, suggests New Mexico. The soil color there changes with the light throughout the day, so I wanted to keep the suggestion of the read, but to tone it down.
I would have preferred to go a tad lighter, but I needed good contrast with the beige in the camper, wall and fence; I also wanted something more tree-bark-like.
Now, on to some leaves and grass to pick up the color a bit, with a finish of black.
A note about the sign. As reported earlier, this was an improvised add, just a hint of an old painted sign, weathered away. With no significance, I chose the letter "k" because it was structurally interesting, and not necessarily difficult to carve. Although I'm still working on it, the letter got a little bit away from me. I realised today that it is reminiscent of the Sanskrit "om" symbol. This was unintended; yet, this print has surely been meditation for me. Maybe it's a sign!😂
This color, a dark rust red, was designed to be the rust on the camper, car and tire wheel, as well as the roof tiles, camper tail lights and part of the tree. If you look back at past prints, you know that I dread printing bold colors in the middle of the process. But these new inks allow me to overprint with ease, even with lighter colors.
Though the soil is red, this red was a little ftoo bold. The scene, which I will get into deeper when I'm done, suggests New Mexico. The soil color there changes with the light throughout the day, so I wanted to keep the suggestion of the read, but to tone it down.
I would have preferred to go a tad lighter, but I needed good contrast with the beige in the camper, wall and fence; I also wanted something more tree-bark-like.
Now, on to some leaves and grass to pick up the color a bit, with a finish of black.
A note about the sign. As reported earlier, this was an improvised add, just a hint of an old painted sign, weathered away. With no significance, I chose the letter "k" because it was structurally interesting, and not necessarily difficult to carve. Although I'm still working on it, the letter got a little bit away from me. I realised today that it is reminiscent of the Sanskrit "om" symbol. This was unintended; yet, this print has surely been meditation for me. Maybe it's a sign!😂
Labels:
buffalo,
new Mexico,
printmaking,
reduction woodcut,
sanskrit,
woodcut
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