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Saturday, February 25, 2017

Going Green

Just one more color to go. I'm really pleased with the colors and the coverage I'm getting from my Renaissance Graphics ink.

This light green will serve as the base for a darker green. I've had few issues with this print, and I'm surprised a bit because when a large area gets cut away, I am often plagued by ink getting on the block in areas it shouldn't be. Am--am I getting better? Gasp!🤔😁

Monday, February 20, 2017

A Stab of Color

I enjoy revealing prints to you one color at a time, because that's how I see it. Even though I know what the end image will be, I'm usually working off of a pencil and marker sketch. Like watching a Polaroid develop, printing each state reveals more and more, until at last the image is whole.

Here, you see the dome of the Buffalo and Erie County Botanical Gardens is complete, bright against a bright blue sky.

Sunday, February 19, 2017

Under The Dome: Pt. 2


I think you can see where I'm going with this. If you live in Western New York, you can see EXACTLY where I'm going with this. The gray days are over. Let's put some color on this baby.

Monday, February 13, 2017

Under The Dome

I'm warmed up now, and ready to be challenged. This is the first color I printed, a nice light sky blue. I shot it backlit so you can see the detail. I hadn't realized how intricate the lines were going to be until I started drawing it out. Cutting was okay, but I need a new prescription for my glasses.




I should have shot the 2nd color backlit as well! I think you can see the color difference here. There are two grays, one light and one dark. I'm not sure which this one is yet! I will have to make the call after the ink dries. That is the drawback of reduction printing -- you can't play with colors as much. You pretty much have to have your decisions made going in. Not that it couldn't be corrected (see the newt print), but what an unnecessary step. Oh well, the debacle at the beginning of the newt print has left me wary and wiser!

Friday, February 10, 2017

Back & Forth

Years ago I worked in a shop with a talented printmaker who had studied under Frasconi. He showed me a number of his large portrait woodcuts, intricate and beautiful. The backgrounds, however, were just a series of scribbles made with a Steel. He commented that after the portrait was complete, he got bored. I get that, and the struggle with background is real.

I have struggled with background since I was in grade school. How tedious to detail what's BEHIND your subject. And too much detail camouflages the subject.

Luckily, I also study cartooning, and that has helped me immensely. Take any cartoon, and you will see most are not detailed, and instead they use spare symbols to impress upon a viewer the IDEA of what the symbols represent. Three rectangles in a blank field is a wall. A squiggle represents water, a few jagged spikes may be grass.

To that sensibility, I added an old technique I learned in kindergarten, but I've found traces it's roots to the surrealists: scribble drawings. I used the same technique with the Newt print, and found that it gives much depth. I imagine you will see more of this as I go.

This print was more an exercise than a work, but I'm quite happy with it. I'm very happy with the colors. I'm obsessed with photographing flowers, but I still haven't developed that as a skill for printmaking, thus the more abstract impression seen here.

Sunday, January 29, 2017

All Newt Review II

 Presently untitled, here is the final finished print, in the last two states. I always love how the black ties everything together. It's a little more primitive than I'd originally conceived, but it works for this print, particularly in the shading. If I were to do it over again -- and I am NOT!-- I might make the pink bolder, and the colors on the mushrooms darker. But I'm happy with it!



Thursday, January 26, 2017

Hello There, Newtiful!

So here's our little guy, creeping across the forest floor. I'm still figuring out the background and how to finish, but I've no shortage of ideas.