So, as we can see, printing a bright color over a bright color tends to keep the colors, well, bright. I'm really happy with the colors and how the ink is laying down this time.
I'm working from a pencil drawing, and am actually using no photographic references for the colors. Growing up in Western New York, I like to think I know a little something about fall colors.
That said, yellow and orange are pretty easy. The hardest color I've designed for this print may well be the red. Think for a minute: what is an ideal autumnal red color? Is it the deep maroon of big old maple leaves? The bleeding red of sumac? Rust? Fire?
Oh, man, I think I just panicked myself! Stay tuned!
Eight states and I just can't wait.
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