Wednesday, July 31, 2013
The greatest issue one has in making a reduction print is coverage from layer to layer. As the ink builds up on the paper, unevenness of the layers becomes a very big issue.
When I first began over a decade ago, I printed with very thick, heavy inks, which gave the prints and almost impasto-like texture. The drawback to heavy inking is that small details and definition can get lost. I have since upgraded the quality of my inks and thin them liberally with burnt plate oil; this has solved the bulk of my issues.
Unfortunately, this has also empoldened me to continue to push the envelope by printing blues over reds, only to be left wondering "WHAT HAPPENED????!!!!"