Organized Labor

After last week's flurry of activity with screen printing, the studio was a complete mess -- differing only slightly from the INCOMPLETE mess it usually is. I've had prints building up for years in drawers, and I finally got things organized in their own individual boxes.

Down deep in the drawer was a packet of old work from 2002 thru 2005, the beginning of my printmaking career. Some of them show hints that I had promise, but most...well, let's just say that the best part of sticking with something even when you know you are NOT good enough is that, eventually, you get to look back and see how far you've come.

So now I'm working on my next wood cut in a nice, neat and organized studio,so grateful for the space and ready toake the most of it. In those early days I was crammed into a tiny bedroom that was broiling in the summer, without a press or much light after sunset. Now I have everything I need -- but I think one thing we've learned in the United States in the last 10 years (2008, and certainly the last two) is that if fortunes can be made overnight, it can all disappear just as fast. So, time to make hay.