CLICK HERE TO VISIT MY ETSY SHOP!

VISIT MY ETSY.COM SITE.
Preview
JUST CLICK ON MY PRESS!
Showing posts with label south buffalo. Show all posts
Showing posts with label south buffalo. Show all posts

Sunday, April 25, 2010

Fresh Print: Doonagore Castle


I'm not sure why we are so fascinated by ruins. I mean, if you're so touched by the wonder of a once proud structure left to the whims of the elements, you'd be enthralled and captivated by our crumbling bungalow here in South Buffalo.

Alas, this castle, which stands strong near Doolin, Ireland, is not a ruin, having been purchased and rehabbed and made into a summer home for an American family, according to Wikipedia. I found the building by accident one day while researching something else. This round structure standing by the edge of the sea fed my dreams of going to the homeland (I'm about 1/10 Irish, but my liver is 90%). 

According to one source, the name of the castle means "fortress of the goats." Nothing against goats, but my wife prefers sheep, and so that's what we have. The studies for the sheep came from a small herd at Knox Farm Stet Park in East Aurora. I highly recomment stopping by before the state shuts it down.

The image is 6X4 inches, printed in seven colors from a single block of birch plywood. Edition of 6, printed in oil-based inks on cream-color cotton paper.

Friday, February 19, 2010

12:01 At The Oasis: Win This Print!

Some years ago, when I was working as a screenprinter in a greeting card factory, I became fascinated by the play of the overhead fluorescent lights in the cups of ink on my press table. And thanks to my overindulgence on "Harold and the Purple Crayon" books, among other things, I became fascinated by the moon. Add being drawn to Henri Rousseau's famous "The Sleeping Gypsy" (left) and the eerie album art of my brother's Blue Oyster Cult "Agents of Fortune" LP, it was only inevitable (in my mind only, I imagine) that they would all come together to form the print I am introducing to you now.

This untitled (as yet) woodcut began its life as a light yellow rectangle. You will notice a little dot in one corner. Not only is that there to tell me the position of the block on the press, but it also helped to remind me which print this was for, as I was printing a different, non-descript block the same night with the same ink for a different print.

The next state was a very light orange-gray, specifically, a PMS Warm Gray 5 approximation. I love the warm grays, and used them for liberally in the previous ocean storm print. You will notice that I had cut out the crescent moon and a few stars.

You might say, "Dude, that's not Warm gray anything. That's BLUE!" Good sleuthing, Sherlock. Indeed. I had forgotten to print a proof of this state at the time, and had to print this proof out the next day. So then, because you're like that, you might say, "But dude! Aren't you supposed to print a proof BEFORE you print the edition. That's when I take you aside and slip you a fin and ask you kindly-yet-threateningly to shut your yap, saying that when I print, I prefer to play the game called "Proof or Dare."

Next up, having cut out the highlights of the dunes (or mountains, if you prefer...but they're dunes) to reveal the Warm gray #5, I printed state 3 in a very dark version of Warm Gray 11.

There is also a shoreline highlight at the water's edge, a technique I learned from watching Bob "Happy Little Trees" Ross on PBS. Hey, when you can't afford art school, you take your knowledge anywhere it comes from. Thanks, Bob.

The fourth state was a scary one for me. When you are doing a night sky, it's really hard to judge how light or dark to go. I used a straight medium blue ink for this state originally. But the ink was very transparent, and the darker color underneath caused the ink to go almost black. I hemmed and hawed over that for a few minutes, then decided it wasn't right. I added just a touch of white, which not only lightens a color but makes it more opaque, and this was the result. This is about the point I get very nervous about a print, because it just looks weird. Reduction printing, like life, requires a lot of blind faith that everything is going to work out just fine. 

The last block usually ties everything together. In multiple block printing, it's called the key block, and is usually black ink. In reduction printing it is called -- at least by me -- the if-I-make-a-mistake-on-this-I'm-going-to-cry-like-a-colicky-infant block. I've lost my share of prints like this. But, losing in the last minutes of the game is old hat for us Buffalonians. Am I right people?! Heeya!

But seriously, folks, this block was a very scary one to cut. I studies the lay of the fronds of palms at the Botanical Gardens, and from photos, and developed a technique of cutting the fronds that made me very, very satisfied with this print. I was also a little nervous about how the water was going to look.

And when it was all over, this is what I had:


Now, here's where you can WIN THIS PRINT!

With all apologies to Maria Muldaur, there is no way in hell I'm calling this "Midnight at the Oasis." Even though the song was stuck in my head the whole time I was printing it. So, I'm leaving it up to you. Think up a title and either post it in the comments section below this post, or email me at thadeenz97@verizon.net. My lovely wife, Amy, will choose her favorite of the entries. The winner will receive one of this edition of six. That's a $20 value. Ssssssweet!

Contest closes at 3:30 PM March 1, 2010. Winner will be announced March 2. Not very creative? Then just go ahead to my etsy.com store (click the press at the top of the page).

Thanks for reading!


Monday, November 16, 2009

And now...


The Labatt's Streamliner!

The last color is actually a very dark blue. I try to avoid using straight black as it's often very harsh, especially when going up against different shades of color. I also thought the blue worked well with the green to complete a very retro look for a very vintage subject.


"Labatt's Streamliner" 2009
Image 6"x4"
6-color reduction print from
single birch plywood block
using Reanaissance Graphics oil-
based inks on 110# Rives off white
cotton paper
Edition: 10
$30 unframed
Edition

Labatt Streamliner State #5



First, a big congratulations to Mr. James Jordan who identified this print in its 4th state as the Labatt's Streamliner. I fell in love with this vehicle one winter evening when Amy and I were downtown one evening. We stopped to watch a building being torn down when the Streamliner passed us. Already interested in early 20th century design, this baby spoke to me. Literally, it spake. It said, "Drink some Labatt's. And I did. And it was good.

Back to the print. The color in the 5th state was a happy accident. Thinking that the red was going to affect any color I put over it, I formulated a special color that, had this been screen printing, would have ended up looking like a light gray when printed over red. Ah, but this is NOT screen printing, and the color did not change much at all. In the photo, it looks gray, but is actually a very light green, perhaps the color of dried moss. It is a very retro color (usually found in Nike missile silo basements and jails of the period) and complemented the red so nicely, I decided to change my color plans. The light color of state 5 was necessary to combat the dark of the red. The fact is, I should have done the background first, as I usually do, but unfortunately was already well into the print when I realized my mistake.

Thursday, November 5, 2009

Under the stars.....


Here is "Little Camper," a fresh woodcut just completed yesterday. Inspired by the Bee Line brand of tiny trailers (which I now find are collectors' items and showpieces) I often saw when I was a kid. I will try to get a better photo for you because the camera here fails to pick up the turqoise/aqua retro striping that defines the front end of the trailer.


An edition of 7, this is a 6"x4" 6-color reduction woodcut printed from birch plywood on acid-free off white Rives cotton paper. Available. $30 unframed.

Tuesday, September 8, 2009

Welcome & Thanks


So, there's a good chance you've stumbled over into the neighborhood by chance because I or someone who knows me & you sent you an e-mail entitled "Jeff's Little Project," in which I'm asking volunteers to e-mail me their fill-in for the following sentence:


"Life is all about _____________________."


I want to thank everyone who has responded so far -- people I haven't heard from in ages. I think it will be a pretty interesting project. Please keep checking back for updates on the project.

Since I haven't publicized this blog, I'm pretty sure it's new to everyone, so poke around. I haven't gotten into a rhythm yet, but there's some interesting things coming along soon.

If you have any questions, or wish to participate in the "Life is all about__________" project, please send your verbiage to thadeenz97@verizon.net.