I have attempted this print before. If practice makes perfect, we should be seeing a real treat emerge here. The ink is laying down very well, and I'm not seeing any of the issues I had with the duck print.
This state defines what I love most about reduction woodcut printing: at a certain pint, you begin to see the bones of what will become the finished print. You can start to see where the cars will be, where the features of the cars will be.
The toughest part of this print is next, a two color sky. There are a few names for this in printing. In commercial printing and in screen printing, it's called a "split" or a "split fountain"; in relief printing, it's a "rainbow roll." In any case, when it's done well, it adds dimension and complexity to a print. At right
is a blurry photo of a split I did on a screen as I was figuring out colors.
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