A nice busy weekend in the studio, and we have the finished mallard print. The next-to-last color, a dark brown, higlighted the pattern of plumage and also brought out a lot of the vegetation reflections in the upper half. Clearly now you can see where it's going.
I really liked the print at this point, and to have left it here wouldn't have been much of a loss. However, I really like the finished look a small amount of black gives a print
Here now is the print with the block next to it.
I think the black gives the subject a lot more depth, pushing the background into a softer focus and bringing the ducks up off the page.
As this thread was about explaining the reduction process, here again is the block I started with. There's not much left of it now. This, of course, makes a reduction print edition truly LIMITED, as no more prints can be made with the block.
I began with 12, lost 3 outright, and after ispection I believe the final edition will probably be five.
1 comment:
Very nice, Jeff. You explained the process well.
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